Lee Jackson Metaltronix Amplifiers and Effects designed by Lee Jackson
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The Active Gain Pedal is used by some of the Top Guitar Players in the world, giving them the extra gain and edge to get their signature sounds. The Gain Pedal was designed with the idea of being as Transparent as possible, to not change the original sound as it comes out of the instrument.
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After Building 1000's of Boosters for some of the top players in the world. We are excited to announce our BitchBoost Pedal. It is the same exciting Bitchboost™ that we have in our CrackPotz™ Version, and we have added the Selectable Clip Switch you can add a slight distorted Warm Edge to you Sound.
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The DG-1 is an Aggressive Distortion, . Between the Distortion, Tone and Master, you can tailor your sound from a Heavy distortion to Ripping paper, with the Sag Control.
The Bias: Sets the Bias of the circuit, just like a power amp in your tube amp. Set the bias of your pedal with the Bias control. Go from Ripping paper to awesome Smooth tube distortion.
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Fuzzy Finger™ was designed with the idea of being as transparent as possible, to not overly change the original sound as it comes out of the instrument. I worked for years on such a design, and have developed a circuit that doesn’t degrade the original sound, Fuzzy Finger™ enhances it with more Clarity and Definition., It can Clean up to a Sparkling Clean Sound by turning the volume of your guitar down. Fuzzy Finger™ will enhance your great Rhythm sound without dropping out all your Low End.
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The HELLFIRE is the best Experience in Distortion pedals. It came from years of designing Signature Distortions sounds from the top player in the world. It is the Warmest, Smoothest Distortion you have ever heard, and it can be Heavy and LOUD. Between the Hell , Heat and Master you can get Any amp to come Alive!
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The Atom Smasher Pedal was designed with the idea of being everything an old
classic Octave divider was during the Jimi Hendrix/Jeff Beck era.
Because I wanted a pedal that did both the Jimi Hendrix style Octave divider
and the Jeff Beck Octave divider sound, it was a challenge to get both sounds
in one pedal because both Guitarists used different pedals with completely
different circuits. Between the Push, Wave and Tone, This pedal can give you the tools to create
your own signature effect.
Plus adding features that allow those who want to go outside the box!
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For years I have been working on a design to allow you to have your favorite "Industry Standard" Spring Reverb Sound in a small pedal form. Springgy® Pedal was designed with the idea of being as transparent as possible, to not change the original sound as it comes out of the instrument. I worked for years on such a design, and have developed a circuit that doesn’t degrade the original sound; it Enhances it with more Clarity and Definition.
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The Mr Springgy™ MRSP-500S is even better then its Famous Brother,
with Hi Quality +4 Balanced in and outs, Studio Quality Burr-Brown
Opamps and Dual +/- Supplies, which give you the added Headroom needed
in your Studio or Live applications. This now allows Mr Springgy™ to
be used in Studio's, Live Mixing boards and more.
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The Creamy Compressor™ pedal allows the full frequency of your instrument to pass through, this is why it sounds more like Studio Compressoon. It is the Warmest, Smoothest compression you have ever heard. Between the Gain and Peak Reduction you can get any amp to come Alive! Plus, it can be set for unity gain, or turn it up! for a Boost!
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Four Channel Splitter
The Active Splitter Pedal was designed with the idea of being as transparent as possible, to not change the original sound as it comes out of the instrument.